The sun porch of the Wallace and
Area Museum is gently lit by afternoon sunshine, yet with screens for walls and
large trees providing shade, the porch remains cool on a July afternoon.
Overlooking the vast lawn and the perennials gardens, the porch provides a
lovely venue for the museum’s long-running Wednesday afternoon tea.
The new curator stands before the
capacity crowd gathered around small tables and explains that the museum (which
opened in 1992 in a house built in 1839) is trying to attract more visitors.
This tea is the first of four author readings in July; in August, local
painters will anchor the teas.
This is Gail’s first season as
the new curator and she brings to the museum a lifetime of experience with art
galleries across Canada, as well as a deeply personal connection to this
particular place: the land on which the museum sits was settled by her
ancestor, Peter Graham Tuttle, the youngest son of the United Empire Loyalist,
Stephen Tuttle, whose family settled in Wentworth and Wallace.
So despite the fact she had just
retired and returned to the area, Gail couldn’t resist the opportunity
presented by the museum’s job posting last January, calling it “serendipity and
synchronicity”. She’s easing into the role left vacant by the sudden death of
long-time curator, David Dewar, in 2015 with only a few small changes. Besides
tweaking the teas, her short-term goal is rebranding the museum as a place to
learn and to play.
“The whole end goal of a museum
is a place of learning,” Gail said, “but with this property, it’s also a place
to play because we have walking trails, perennial gardens, barns and
outbuildings, the house, the screened porch, and the meeting room. It’s a place
for people to enjoy.”
Her long-term goal is discovering
how to make the museum more relevant to the needs of the community.
“We have to open the museum up to
a broader community so at our flea market and fun day on July 29, we’re
launching a Friends of the Museum membership drive.”
In a time when libraries are
struggling to remain open, and arts and music programs suffer from flagging
support, why bring such ambition to her job at a rural museum?
“Museums matter because they are
part of the community,” Gail replied. “The museum itself has the job of
preserving artifacts and heritage but the community decides what its value is
and what its meaning is. The museum must also serve the needs of the community.
It’s a symbiotic relationship. If you don’t serve the needs of the community,
you’re just an artifact yourself.”
The first author reading goes
over well and Gail is pleased.
“Aren’t the flower arrangements beautiful?”
she said as the summer students tidy up. “Ryan does those for us.”
This is Ryan MacInnis’ second
summer working at the museum and he discovered a knack for arranging flowers
last summer.
“People liked my ideas so I’ve
been ‘volun-told’ to be the new flower picker,” he explained with a chuckle. “I
like to change them up each week. People notice. People realize we pay
attention to details, and that’s better for the museum and the community.”
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